Richard
III
June
24, 2014

English playwright William Shakespeare
took a perceived bad man from English monarch history and really played up the
alleged evil uprising. Shakespeare’s Richard
III is about Richard Plantagenet who had members of his family and anyone
standing in his way killed off, so he could inherit the thrown of England. Shakespeare’s play treads a thin line between
a history and tragedy. Richard III is
a history play because it tells the story right before Henry VII came to power
and ended the War of the Roses, but it is also a tragedy because the audience
gets to see the titled character go from a high place of prestige and power to
a fall of corruption and innocence, in essence the tragic ending and
circumstances of King Richard III. Richard Loncraine directed a film version in
1995 that stars Ian McKellen as the power hungry Richard III. What Loncraine
does in this film is make Richard, still power hungry, but power hungry.
Loncraine
makes Richard III a man whose own deformity and family dysfunction a cause for
the way Richard is. Richard’s pathology was caused by nurture not nature in these
circumstances. The scene that makes the viewer want to root for Richard is when
his mother, Cicely Duchess of York, tells Richard that he has been a curse for
her and the family and that she wishes he was never born. With a mother like
that who wouldn’t want to see harm done to th family. Mother’s are supposed to
love and not hate their children. Loncraine makes Richard’s lust for power a
result of his masculinity being stripped thanks to his withered arm, and his
mother’s own hatred of her son. Richard is compensating for the one thing in
his life that he knows he can obtain, if only with a little bloodshed. Shakespeare
portrayed Richard as a man who Machiavellian ways was only used for one
purpose, power. Shakespeare’s version of Richard
III has a lot more bite and psychological depth to it, while Loncraine
version simply shows a royal man who let women and his mommy issues cause his
high rise into power and fast ride into death. Ian McKellen gives a good
performance but was more than likely better viewed and developed on stage. The movie updates the setting from the late
1400s to the early 1930s. Loncraine makes Richard out to be a character in the
vein of Hitler, another man with mommy and a women issue, who was also power
hungry. The updated setting worked somewhat but the dialogue was still taken
from the original play of Shakespeare. Both Loncraine’s and Shakespeare’s
versions shows the unnatural and natural ways in which power can corrupt.

One of my favorite films and plays. Nice choice. A few questions to consider: Why do you think that the character was more likely developed onstage? How? Why do you think this film is situated in a very different time period? How does the film adjust itself to fit a different historical situation? Consider some of those ideas more as you analyze this particular adaptation.
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